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surreal life

  • May. 15th, 2008 at 6:02 PM
Wow. Barack Obama is apparently now following my updates on Twitter. To which I say:

Dude, don't you have, like, more important things to be spending your time on?

Although, to say that I'm beyond flattered is an understatement.

And yay for John Edwards for giving his support to Obama. I very much hope that when Obama takes the White House, there will be room for Edwards somewhere. Vice President, maybe, or Attorney General.

*snerf*

  • May. 15th, 2008 at 4:50 PM
That's the sound been coming from my nose since about 5 p.m. yesterday. Buh. Went to the doctor today, and it's viral flu. Again. The third time in as many months. One of the risks of teaching in an all-boys school, I suppose, but I am getting damn tired of being sick so often.

I also have conjunctivitis (ie Pink Eye) in my right eye and a little in the left, so I got some drops, which seem to be helping. At least they aren't nearly as itchy as they have been for the last couple of weeks.

So today I missed school, but this is sabbatical week; instead of conducting a course like the fiction-writing workshop last term, I'm helping out my colleague Nick with one on filmmaking. Today and tomorrow should be fairly light, as the students will be out wandering the campus with cameras, so if I had to pick two days to be off (and I will be doing so; no more going back to school before I'm well), these were two good days to do so.

With Vesak Day on Monday, this has unintentionally become a five-day weekend. Although feeling as shitty as I do, I'm not sure how much I'll be able to enjoy it.

That said, I'm postponing the official start of Reader Request Week to next Monday. I hate to keep putting it off, but if I'm going to answer a different question each day of the week, I want to be well and coherent before doing so.

I'm off to take a nap now. Cheers.

It's San Isidro Day!

  • May. 15th, 2008 at 10:24 AM

Saint Isidro is the patron saint of Madrid, and today is his day. In fact, the celebration will last until Sunday: concerts for all ages and tastes, dancing, parades, fireworks, theater, bullfights, and even people dressing up in the traditional local costume. [Full schedule here.]

People from Madrid are called "cats," and the cat in this year's festival logo is wearing the traditional cap, white ascot, and checked vest for men. Women wear a flounced polka-dot dress, carnations in their hair, and a white headscarf. A streetwise, brash, urban attitude is essential for both sexes.

A few years back, I celebrated the festival by reading Saint Isidro's hagiography. He was born in 1087 in Madrid, at the time a small farm village. He worked as a farm hand for local landlords, and is credited with 204 miracles, many of which he accomplished after his death at age 90. One that occurred during his lifetime shows his love for God's creatures, according to the hagiography:

He and some other farmer hands were carrying sacks of wheat to a mill in winter when they passed a flock of shivering, starving doves. Isidro stopped and spread grain from his sack on the ground until they had eaten their fill, then continued on with a half-full sack. His companions were astounded when they arrived at the mill, for his sack had become full to overflowing and produced twice as much flour as their own.

Thus we know that God approves of bird feeding. Go thou and do likewise.

¡Viva San Isidro!

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in which I am taken aback

  • May. 14th, 2008 at 11:07 PM
Tonight, we had the regular SacSpecFic critique group meeting at the cafe part of the local Borders. We managed to score the big table that is away from the other tables (yay!) and were talking about one of the stories.

All of a sudden there's a person standing next to us who says, in a flustered voice, "You guys, it's too much, you need to keep it down, it's, it's just too much." The person turns and walks back to where they were sitting across the cafe.

We sit there, stunned for a second, and then one of us manages a weak "But this isn't a library, it's a cafe". We talk about it and aren't sure what had happened. We're pretty certain we were using regular conversational voices. We certainly weren't shouting and weren't using foul language. We did have a couple moments of laughter when a joke was made, but those were rare and still not loud.

Again, this is in the cafe part of Borders where the conversation of the counter people carries, where other conversations are going on, where people talk on their cell phones, where the blender and the espresso machine are a regular interruption, and where there's music playing in the background.

We did end up turning our volume down a notch for a little bit, but then we could barely hear each other, so we went back to normal voices. Of course, we made a couple snide comments later to ourselves about how we hoped the blenders weren't too loud.

But the whole thing was strange, one of those moments where you think "This was a problem? But I don't get it." even though you are trying to examine what you did wrong. It ended up bugging me, as I certainly don't think of myself as a loud, rude person (just the opposite, in fact). And if I'm in a cafe and someone is talking loud I might get tweaked for a second, but then I realize "well, this is a cafe." The whole thing was all very strange and uncertain...

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Speaking of that unsaleable book...

  • May. 15th, 2008 at 1:47 AM
May 14, 2008 Progress Notes:

Above

Words today: 1500.
Words total: 36,150 MS Word.
Reason for stopping: I'm doomed to not hit my bed before 2am any night this week.
Liquid Refreshment: Water.
Munchies: Nachos, bananas, and bad-for-me cookies. Not together.

Darling du Jour: Jack squints against the curling black-ink loops. I'm not sure he reads so good, but in Safe you don't have to. There's always someone there who'll shut your eyes and tell you soft a story.
Words Matthew Won't Admit to Knowing: He had a serious vocabulary tonight. We got to use words longer than three syllables!
Mean Things: Evil asylum goes on and on, but I think it's almost done. Serious underappreciation for hardworking allies. Getting the wrong end of things.
Research Roundup: N/A.
Books in progress: Jeffrey Ford, The Physiognomy, textbooks.
The glamour: Class, where the truly awesome TA I had for Poetry and Prose 1600-1660 last summer is now the truly awesome TA I will have again. Sweet. Otherwise, today was eaten up by crampiness and school reading.


Bwah. I am so winning the unsaleable poll. *party dance!*

It occurs to me that in a week and a few hours, I will be hopping a plane for Wiscon. So I frantically wrote up a pack list tonight in the boring bit of the class, and compared it to my last year's pack list for completeness (there are sometimes upsides to having used to the same dollar-fifty reporter's notebook as a low-tech Blackberry for the past two years). I think I have everything, including stuff like Coyote the Laptop, who will be accompanying me on his first international adventure. I'm sure whatever I'm forgetting will come to me once...well, I'm there. *g*

So while this is everywhere and I probably won't get the reply volume I'm hoping for, this being almost 2am that I'm posting...will I see you there?

More Evil Pushups

  • May. 14th, 2008 at 10:39 PM

Originally published at jennreese.com. You can comment here or there.

Before I describe the new pushup torture I witnessed in class tonight, let me first say that I did none of them.*

Level 1: Pushup position, but with your feet flat against a wall. Move your feet about one foot up the wall, and do the pushups from that position.

Level 2: Body folded in at a 90-degree angle, feet against the wall, legs parallel to the ground. Torso and arms are parallel to the wall. Pushups are straight up and down.

Level 3: Body straight and leaning at a slight angle against the wall. Almost a fully vertical (and upside down) position.

It was amazing to see our instructors explain these pushups and then effortlessly pump them out. I felt as if I were watching an old-school kung fu movie. Most of the rest of us played the part of the bumbling class.

Fun, fun, fun!



* I still can’t do pushups because my rotator cuff has been jacked since December. I’m doing exercises, icing it regularly, etc., but it’s still jacked. Although it hurts regularly and still wakes me up at night, at least I’m getting used to it. Some people say it will never heal, and I’m trying to get used to that idea.

five-month calendar at a glance

  • May. 15th, 2008 at 12:10 AM
Two months ago, [info]garunya blogged about this map of the planned Intercontinental Subway System. (Well, we can dream.) I've kept the window open to that page in one of my browsers for two months, intending to post about it here, but never finding the right moment. What do you know -- the right moment finally came.

About a month ago, [info]elisem asked people to post about Fourth Street Fantasy Convention. Elise wrote: "Although it's been a little quiet on the publicity end, this revival of the legendary Minneapolis-based fantasy convention of decades back is cheerfully open to everybody who wants to get a membership, and I hope lots of people do, because I'm throwing this big party on Friday night, and [Elizabeth] Bear and Sarah [Monette] and some other folks are going to read necklace challenge stories and other Artists' Challenge works, and the more people who are there, the better it'll be." So please, consider yourself invited. The convention folks have even extended the registration deadline to May 31st.

(Person on my friends list most likely to cave to the last-minute pressure and go to the con: Evan, because he misses talking physics with Marissa. Okay, so it's not likely to happen, but it's more likely than anyone else.)

In about a month, it will actually be time for Fourth Street. A vacation would be nice right about then. Or now -- I'm not picky.

In about two months, it will be time for Readercon... and an art exhibition that [info]rbfineart has been counting down to for months. The same weekend. Oy. What to do?

The Danger of Honesty

  • May. 14th, 2008 at 10:35 PM
STATUS: Ready for sleep.

What’s playing on the iPod right now? FERNANDO by Abba

The other day I was reading a full manuscript that I had requested. I had read a good 100 to 150 pages and I knew I wasn’t going to take on the project. Now, whenever I read a full (or in this case, part of a full), I always create a personal letter to the author in reply.

The difficulty for this one is that I really weighed how honest I should be in the letter for why I was passing.

Now I imagine that most of you would say, “why did you hesitate! Be honest!” But here is the difficulty on why agents sometimes pull back on the big H.

1. When I’m reading, it’s often clear why it’s not right for me but I can often see why it might be right for somebody else with a different perspective or taste. So, is there a point to my being honest on why I personally am passing when I can see a potential value in the manuscript? Is that simply being discouraging rather than helpful?

Now, most times I will take the time to try and articulate why I’m passing while also including a caveat that it might be right for someone else. Sometimes that feels like a cop-out.

2. When I’m reading, it’s often not clear why a manuscript isn’t working for me. It just isn’t. Usually if I talk aloud to Sara about why I’m passing, I’ll often pinpoint the issue and then I’m able to articulate it in a letter to the author. Lots of times I’m flummoxed as to the “why” and then gosh darn, I’ve got to figure out something to say in the personal letter. That’s usually when I resort to the “I just didn’t fall in love” bit—which I know writers hate but seriously, I’m not trying to be obtuse. Sometimes I really don’t know why something isn’t working for me.

3. When the day is hectic and a contract is screaming to be finished and I’m behind on queries (and writers want a response—any at all) and fires are erupting, it’s truly hard to take the time to sit down and personalize a letter. I always do it but you writers should know that a personal letter can easily take 20 to 30 minutes to write. When you are working 12+ hour days, that 20 minutes is a big deal in the grand scheme of things. I’m ashamed to admit that I sometimes long for that “standard” letter that I can send out.

4. Personal letters are hard to write. And here’s the thing I hate the most. I’m a perfectionist but sometimes there is not enough time to proofread and yes, I’ve had egg on my face when I’ve reread an email letter I’ve sent out and there on the electronic page is a glaring typo. Oy! I took the time to personalize and then I look like an idiot on top of it. The writer is probably glad I passed on offering representation! Nothing worse than working in the biz and sending out a hurried, grammatically incorrect letter. Sigh. That also makes me long for the “standard” reply. That can at least be pre-checked.

5. This doesn’t happen too often but once in a great while I honestly can’t think of anything positive to say in a response letter for a full I’ve requested. What happened there? Obviously I read sample pages and liked it but there are times where I’ve thought, “what the heck was I thinking for requesting this one?” As I said, it rarely happens but when it does, boy is the honest, personal letter a struggle.

Probably not much comfort for you folks out there in the trenches but it’s the truth.

Space Magic!

  • May. 14th, 2008 at 9:25 PM
Attended David Levine's reading and signing for Space Magic at Powells Books this evening. A packed house. David read his story "Nucleon" from the collection. That's one of my favorite of the stories in the book and David is an excellent reader. Even knowing exactly what was going to happen (since, duh, I've read it a few times now), I have to say I got misty at the emotional pay-off moment.

A good time was had by all!

If you missed the fun, you can still grab the book...
http://www.wheatlandpress.com

Little Boy Blue

  • May. 14th, 2008 at 11:08 PM
Because I haven't posted one in awhile...



blueboy.jpg

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A Minor Cavil...

  • May. 14th, 2008 at 11:55 PM
...with this past week's episode of Bones.
Has anyone ever heard of a major cavil? )

Poll!

  • May. 14th, 2008 at 11:42 PM
(11:34:35 PM) [info]cristalia: (358 words of unsaleable book, 358 words of the boook)
(11:34:40 PM) [info]katallen: wooo
(11:34:48 PM) [info]stillsostrange: Woo!
(11:34:56 PM) [info]stillsostrange: I bet mine is more unsaleable than yours. :P
(11:35:05 PM) [info]cristalia: Let's make 'em fight!

Poll #1188114
Open to: All, results viewable to: All

Whose current book is more unsaleable?

View Answers

Leah's!
5 (83.3%)

Amanda's!
1 (16.7%)

Will you join our new subgenre, Unsaleable Monstrosities with Pretty Illustrations!

View Answers

Yes!
5 (55.6%)

No!
1 (11.1%)

Hey, I can draw...
2 (22.2%)

Dudes, Clive Barker so beat you there.
0 (0.0%)

I only write for the Ticky!ist movement!
1 (11.1%)

Can we pick a fight with the Mundane guys?
5 (55.6%)

Most unsaleable book ever?

Trick question: what paranormal romance combo would be unsaleable?

Now It Can Be Seen!

  • May. 14th, 2008 at 8:21 PM

My freshly minted wife (as I am a freshly minted husband) recently posted some pictures of our fun wedding at Picasa: Here.




Costume College Membership

  • May. 14th, 2008 at 7:36 PM
My sewing buddy, Maria, just got an internship at a museum over the summer, so she can't use her costume college membership. If you would like to buy it, she's selling it for the original purchase price of $95.

The deadline for limited classes is postmarked this Saturday, so if you're not in LA, we'll scan the grid and email it to you. Then we'll send the form in for you.

Also, if you are looking for additional memberships to Costume College or tickets to the gala or the tea to purchase from people who can no longer use them (or to sell yours), please go to cgwcostumers@yahoogroups.com. We're directing all people who ask where to sell their memberships there.

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Wizards

  • May. 14th, 2008 at 10:55 PM


Further plumbing the depths of the dreck I watched as a kid. Ralph Bakshi’s Wizards has to be the dreckiest of the bunch. David Brin is on record as calling it, "just about the most evil thing produced since Goebbels ran the Nazi propaganda mill."

Set two million years after World War III, when the Earth is divided between the lands of Scorch where the mutants live, and Montagar where the elves, dwarves and fairies live, a pair of twin brothers vies for control of the land. Avatar the Elf is all about magic and nature; and Blackwolf is all down with the technology and being EVIL. Unfortunately, Blackwolf’s mutant army sucks and it’s not until he can dig up some Nazi propaganda films that he’s able to make them into the fighting force he needs to take over the world.

The mere sight of Nazi propaganda freaks all the elves out, and the forces of Good look set to crumble. At which point Gandalf, I mean, Avatar decides to lead a small group (an elf with sharp teeth, a sexy fairy, and a reprogrammed android) into Scorch to confront Blackwolf.



The whole thing is like some third-rate Frazetta poster artist did his version of Lord of the Rings. Much of the footage Bakshi rotoscoped over is swiped from Eisenstein’s Alexander Nevsky. The character design and concept is lifted from the work of Vaughn Bode. (He of the Cheech Wizard and accidental auto-erotic asphyxiation fame.) The movie plays out like a grab bag of 70s Hippie kitsch vomited onto the screen.

Honestly, I have no idea how old I was when I first saw this movie. I do know I loved it. Elves, Nazis, and animated fairy women in bikinis -- oh boy, more scarification of the id. Since then I’ve probably seen it twice. This time, I couldn’t help but ask myself where the hell were my parents all those other times? (All I can think of is my brother and I were left with my grandmother for the day. She didn’t care what we watched and I saw all sorts of things I shouldn’t have. She also taught me how to play poker and mix a proper scotch and soda.)

Anyways, if you ever feel like trolling the gutters of Memory Lane try yourself some Wizards!

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A Haiku of the Moment

  • May. 14th, 2008 at 9:37 PM
red-orange radar
images swirl on tv
tornado warning

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As promised...
Richard Knaak's DRAGONREALM series, FIREDRAKE, ICE DRAGON, and WOLFHELM, to be published in one omnibus volume, to Marco Palmieri at Pocket, in a nice deal, by Donald Maass of the Donald Maass Literary Agency (World English).

P.N. Elrod's DARK ROAD RISING, a new Vampire Files novel set in 1930s gangland Chicago, to Ginjer Buchanan of Ace, in a nice deal, by Lucienne Diver of The Knight Agency. [La Gringa interjects: What a great idea!]

Lucy Snyder's SPELLBENT, the story of a young mage who must face angry wizard councils, demons, and hell itself to rescue her lover and mentor, to Liz Scheier at Del Rey, in a three-book deal, by Robert Fleck at Professional Media Services (World).

Richard Kadrey's SANDMAN SLIM, to Diana Gill at Eos, in a good deal, at auction, in a three-book deal, by Ginger Clark at Curtis Brown (NA).

D.D. Barant's BLOOD OF MONSTERS, featuring an FBI profiler, who's been yanked into an alternate universe where vampires, werewolves, and golems now comprise 99% of the population, to Monique Patterson of St. Martin's, in a nice deal, in a three-book deal, by Lucienne Diver of The Knight Agency (world).

Bride of Blackbeard author Brynn Chapman's PROJECT MENDEL, in which two genetic stem cell scientists must flee the war-torn U.S., after their genetic enhancement vaccines cause amazing and horrific side effects in the nation's military children, to Leanne Burroughs at Highland Press, by Lois Bennett.

Susan Krinard and Janet Mullany's BESPELLING JANE, a star-studded anthology featuring the paranormal and Jane Austin created by Susan Krinard and Janet Mullany, headlining Mary Balogh, to Tracy Farrell of HQN, in a good deal, at auction, by Lucienne Diver of Spectrum Literary Agency.

Laurie Notaro's SPOOKY LITTLE GIRL, about a woman who is hit and killed by a bus shortly after being dumped by her fiance, and who returns to wreak havoc on all who have wronged her; and a collection of essays, to Bruce Tracy at Villard, by Jenny Bent at Trident Media Group (world English).

::: young adult :::

Penny Blubaugh's WHEN PUPPETS ARE OUTLAWED, ONLY OUTLAWS WILL HAVE PUPPETS, in which a troupe of puppeteers, including a member of a royal Faerie family and a teenaged runaway, stage elaborate illegal shows blending magic and social commentary, to Jill Santopolo at Laura Geringer Books, by Erin Murphy of Erin Murphy Literary Agency (world). [La Gringa interjects: I think this may be the best title I've ever heard!]

Dan Elconin's NEVERLAND, a modern and gritty retelling of the story of Peter Pan, where Peter is the antagonist and Hook is a friend to Ricky, to Anica Rissi at Simon Pulse, with Michael del Rosario editing, in a nice deal, for publication in Fall 2009, by Gretchen Stelter at Baker's Mark Literary Agency (World).

Author of Evil Genius and Genius Squad Catherine Jinks's THE REFORMED VAMPRIE SUPPORT GROUP, an irreverent look at the blood-sucking life through the eyes of 15-year-old vampire, Nina Harrison, who's been stuck for 51 years in a support group of hemo-addicts that has never had anything exciting happen to them -- until one of them is murdered with a silver bullet, to Kathy Dawson at Houghton Mifflin Harcourt Children's, for publication in April 2009, followed by The Abused Werewolf Rescue Group in 2010, by Jill Grinberg at Jill Grinberg Literary Management. Film rights are with Jerry Kalajian at IPG.

John Dickinson's THE FATAL CHILD, the final book in the trilogy begun in THE CUP OF THE WORLD, to David Fickling at David Fickling Books, in a very nice deal, by Ginger Clark at Curtis Brown (World English).

Co-author of Baltimore, or, the Steadfast Tin Soldier and the Vampire Christopher Golden's POISON INK, about five very different girls who decide to all get the same unique tattoo to honor their friendship, unaware that there's dark magic in the ink, and dark intentions on the part of the tattoo artist, to Stephanie Lane at Delacorte.

NYT bestselling author of Frostbite Richelle Mead's untitled fourth and fifth novels in the VAMPIRE ACADEMY series, about two best friends at a secret boarding school for vampire royalty, to Jessica Rothenberg at Razorbill, by Jim McCarthy at Dystel & Goderich Literary Management (World English).

The World before the Deluge

  • May. 14th, 2008 at 8:47 PM
1918 words in the current draft of "The World Before the Deluge,"  most of them new but since this is essentially the work of streamlining three seperate, unfinished urban fantasy stories into a single narrative, it's difficult to put a hard word-count plus or minus on the results.

Even with the sparkly new mythology to tie everything together I don't have any sense yet of a definite end for this, only of wandering through a space that's less muddled than it used to be.

Here's some words. I wouldn't post them, except that they've been posted before, anyway. Most of the good, was good months ago, when I first wrote it. I'm a bit depressed that I seem, at first blush, to have done little more than spit-and-polish existing work. As always, context is for the weak:



The border of Little
Rivendell was marked on an overpass by urban magick -- the sigil of the
McDonald's arches surrounded with arcane script and machine-generated gibberish
in impressive paint and blood spirals. The yellow sign burned with an uncanny
light behind the shimmering and silent hologram that spread across the road and
the rabbit-hole like a banner. A woman who had the creased cheeks and
weatherbeaten eyes of a porn star was selling diet pills projected to the size
of watermelons.

In the tunnel-dark outside the cab, a troll shook its
shaggy bulk dry after a monster piss in the middle of the road. The troll
answered John's horn-honking with a rude gesture involving its free hand and
its profoundly disgusting genitals, dragging what might have been a dead goat
behind it with the free hand to the embankment. Its lunch painted a dark
calligraphic semicolon mark on the concrete with its entrails.

John
glanced into the rearview mirror, 
catching the light pollution change the color of Curtis Strand's nearly
bald head. Curt brushed the wispy remnants of his hair with a careless, bony
hand but didn't look up. The silver ring on his middle finger was gaudy and
consecrated against the venomous breath of a demon asphyx. John knew this
because he had given it to him when they met, a quick cure for his athsma. The
ring was useless here, an example of how ineptly engineered magitech could get
in the pre Burn heyday of the Tri-State. 
One of Curt's androids probably pulled down less juice than that ring
did, for all the benefits of an antihistamine inhaler.








Announced genre acquisitions for April

  • May. 14th, 2008 at 8:36 PM
Okay, I've been very remiss in my duties here at The Swivet. I just realized that it has been six whole weeks since I did a round-up of genre acquisitions and rights sales. Yipes! When I fail, I fail spectacularly. (Ask anyone!)

So, here is a belated round-up of the past month's genre sales. I'll do a separate round-up of what's been acquired in May, and - if I'm not too tired - a third post for rights sales.

Okay, here we go:
Warren Fahy's FRAGMENT, about a reality TV show that lands on an unexplored island only to discover the first cataclysmic invasion of Earth may not come from outside our planet, but from within, to Kate Miciak at Bantam Dell, in a major deal, in a pre-empt, in a two-book deal, by Peter McGuigan of Foundry Literary + Media.

Ann Aguirre's two next installments in the Sirantha Jax series, again to Anne Sowards at Ace, in a nice deal, by Laura Bradford at Bradford Literary Agency.

Diana Rowland's MARK OF THE DEMON, about cops, demons, and a homicide detective whose supernatural powers get her caught between them, to Anne Groell at Bantam Dell, in a two-book deal, by Matt Bialer at Sanford J. Greenburger Associates (World).

Retrievers series author Laura Anne Gilman's VINESPELL, the first in the Vineart Wars, in which magic is the province of winemakers and a young apprentice must save the world, to Jennifer Heddle at Pocket, in a very nice deal, in a three-book deal, for publication in Fall 2009, by Jennifer Jackson of the Donald Maass Literary Agency (World English).

Lisa Renee Jones's BLACK TIGER RISING, about a chosen Guardian against evil and a lethally charming shape-shifter who is heir to the Black Tiger throne, to Paula Guran at Juno, for publication in October 2009 (World).

Lori Devoti's next three books, continuing her "Unbound" series of witches, hellhounds, and Norse mythology, to Tara Gavin at Silhouette Nocturne, by Holly Root at Waxman Literary Agency (World).

HALTING STATE author Charles Stross's 419, in which the Scottish police investigation of a serial killer who targets spammers uncovers a massive international "blacknet" conspiracy; ROGUE FARM, a short story collection; and THE FULLER MEMORANDUM, the third book in the Laundry supernatural thriller series, to Ginjer Buchanan at Ace, in a good deal, for publication in July 2010, by Caitlin Blasdell at Liza Dawson Associates (NA).

NYT bestselling author Allison Brennan's new paranormal series based on the Seven Deadly Sins, to Kate Collins at Ballantine, in a major deal, in a three-book deal, by Kimberly Whalen at Trident Media Group (NA).

M. M. Buckner's GRAVITY PILOT, in which an extreme skydiver becomes the new Orpheus when he descends into a dark addictive wikiverse to rescue his entranced girlfriend, to David Hartwell of Tor, by Richard Curtis of Richard Curtis Associates (NA).

Demonkeeper and Goblins author Royce Buckingham's SCARY MONSTERS, to John Rudolph at Putnam, by Ken Atchity at AEI Literary Management.

Michael Flynn's UP JIM RIVER, two more novels in Michael Flynn's new science fiction series that began with THE JANUARY DANCER, to David Hartwell at Tor, in a two-book deal, by Eleanor Wood at Spectrum Literary Agency (NA).

Kristin Landon's sequel to The Cold Minds and The Hidden Worlds, in which two people return to Earth's solar system to find the remnants of humanity -- and the secrets behind the power of the Cold Minds, to Anne Sowards at Ace, in a nice deal, by Donald Maass of the Donald Maass Literary Agency (NA).

John Grant's LEAVING FORTUSA, to Vera Nazarian at Norilana Books, for publication in October 2008, by Pamela Scoville at Pamela D. Scoville Literary Agency.

Linda Robertson's VICIOUS CIRCLE, about a modern-day witch who takes on a contract to assassinate a murderous vampire while dealing with a budding romance with a rock'n'roll musician werewolf, to Paula Guran at Juno, in a nice deal, for publication in March 2009 (World).

Karl Alexander's JACLYN THE RIPPER, a sequel to the author's Time After Time, and the reprint of TIME AFTER TIME, to Jim Frenkel at Tor, in a very nice deal, for publication in January 2009, by John Bennett at Indiscretion Films (NA).

Brian Herbert and Kevin J. Anderson's JESSICA OF DUNE, IRULAN OF DUNE, and LETO OF DUNE, three sequels to Frank Herbert's DUNE, on behalf of the Frank Herbert Estate, to Tom Doherty and Pat LoBrutto at Tor, in a major deal, by John Silbersack at Trident Media Group (NA). Additionally, the authors' HELLHOLE trilogy, to Tom Doherty at Tor, in a major deal, by John Silbersack at Trident Media Group (NA).

Margaret Leroy's COLDHARBOUR, a paranormal murder mystery about a single mother and her troubled four-year-old daughter, to Sarah Crichton at Farrar, Straus, for publication in 2009, by Kathleen Anderson at Anderson Literary Management (NA).

Michele Lang's LADY LAZARUS, the first book in a historical fantasy trilogy set on the eve of World War II, in which a hereditary witch with the power to call souls fights to avert the horrors of her sister's visions; pitted against her are SS werewolves, wizards, and demons, including the one who has possessed a willing Adolf Hitler, to James Frenkel of Tor, in a very nice deal, by Lucienne Diver of Spectrum Literary Agency (world).

William Sanders's EAST OF THE SUN AND WEST OF FORT SMITH, a short fiction collection which combines in one volume all of the author's previously collected short work in addition to several previously unseen originals, to Vera Nazarian at Norilana Books, for publication in September 2008.

Mark Kneece's ROD SERLING'S THE TWILIGHT ZONE, graphic novel series, an 8-book series of graphic novels based on the original television scripts, to Emily Easton at Walker, in a good deal, for publication in 2008, 2009, by Anna Marlis Burgard at Savannah College of Art and Design (World).

Lori Devoti's AMAZON INK, about a modern-day family of Amazon women who've left their tribe to live among normal humans and run a tattoo parlor, until a murdered teenage Amazon left on their doorstep forces them to once again make contact with the Amazon tribe they left behind, to Paula Guran at Juno, by Holly Root at Waxman Literary Agency (World English).

Two novels by longtime fantasy novelist Richard Knaak, a new title tying into the electronic game WarCraft, plus a second novel tying into the game Diablo, to Marco Palmieri at Pocket, in a nice deal, by Donald Maass at the Donald Maass Literary Agency (world).

Jeff Carlson's third novel, MIND PLAGUE, a sequel to his first two science fiction thrillers, PLAGUE YEAR and PLAGUE WAR, to Anne Sowards at Ace, in a nice deal, for North American rights, by Donald Maass at the Donald Maass Literary Agency.

Cynthia Eden's next three paranormal suspense novels, again to Megan Records at Kensington Brava, in a nice deal, by Laura Bradford at Bradford Literary Agency.

Anne Bishop's untitled sequel to the forthcoming Shadow Queen, in the same setting as the author's Black Jewels trilogy, plus an untitled collection of Black Jewels stories and a fantasy novel, to Anne Sowards at Roc, in a good deal, for publication in March 2010, by Jennifer Jackson of the Donald Maass Literary Agency (World English)

::: young adult :::

THE WARRIOR HEIR author Cinda Williams Chima's DEMON KING trilogy, following the intertwining fates of a peasant boy and a princess as they uncover secrets of their pasts and fates in a kingdom at war, to Arianne Lewin at Hyperion, in a significant deal, for publication in Fall 2009, by Christopher Schelling at Ralph M. Vicinanza (World English).

Maggie Steifvater's BALLAD, the sequel to Lament, in which a gifted teen at a music boarding school draws the attention of a dark faerie muse who strikes a Faustian bargain with her victims, and, when Halloween descends, he must choose between his long time friend/crush and the dark faerie herself, to Andrew Karre at Flux, by Laura Rennert at Andrea Brown Literary Agency (World).

Author of Airball, Lisa Harkrader's AFTERLIFE, about a seventeen-year-old whose psychic flashes lead her to investigate a mystery that could destroy her dreams of a future as a crime scene investigator, to Nina Hess at Mirrorstone, in a nice deal, for publication in May 2009 (World English).

NYU creative writing MFA student Lauren Oliver's YA debut, IF I SHOULD FALL, about a girl who relives the day of her death seven times until she discovers that the life she needed to save was not her own, to Brenda Bowen at Bowen Press/Harper, in a significant deal, in a pre-empt, for two books, by Stephen Barbara at the Donald Maass Literary Agency (NA).

Carolyn MacCullough's ONCE A WITCH, about a teenage girl who feels alienated from her family of witches since she herself has no power, or so she thinks, until a handsome stranger, a dangerous love spell, and a treasure hunt through time prove otherwise, to Jennifer Wingertzahn at Clarion, in a very nice deal, in a two-book deal, for publication in Fall 2009, by Alyssa Eisner Henkin at Trident Media Group (NA).

Temple Matthews's THE NEW KID, the first title in The New Kid series, pitched as Buffy the Vampire Slayer meets Supernatural, to Glenn Yeffeth at BenBella Books, for publication in January 2009, by Patrick Hughes at Hughes Capital Entertainment (World).

Mother-Daughter team Shirley Jump and Amanda Jump, writing as AJ Whitten's THE WELL, a Shakespearean-based horror series, the first about a teen-aged boy who must find a way to survive as his mother repeatedly tries to kill him, to Julie Tibbett at Houghton Mifflin Harcourt, in a nice deal, in two-book deal, by Pamela Harty at The Knight Agency.

Linda Gerber's CHARLATANS, the story of two sisters' journey as they discover their sideshow trance-writing act has deadly consequences, especially when the premonitions start to come true, to Angelle Pilkington at Puffin, in a nice deal, by Elaine Spencer of The Knight Agency.

LIGHT YEARS author Tammar Stein's KINDRED, the story of an agnostic, irreligious college student and the visiting angel that overturns her life and divides her family, staying with Erin Clarke at Knopf, by Stephen Barbara of the Donald Maass Literary Agency (NA).

Rachel Vincent's MY SOUL TO TAKE, featuring cute boys, dead girls, and the urge to scream, as a high school junior is sure she's losing her mind until she discovers she's a perfectly sane teenage banshee, now she just has to figure out who's killing the girls, to Mary-Theresa Hussey at Mira, plus two sequels, in a good deal, for publication in late 2009, by Miriam Kriss at Irene Goodman Agency (world).

New Website: Fiction Excerpts

  • May. 14th, 2008 at 9:15 PM
I have just started a new blog that features excerpts of my fiction. It's called Strange Alphabets. Check it out!

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